#Ample sound guitar t update#
#Ample sound guitar t trial#
#Ample sound guitar t professional#

I just have Amplesound's Fender strat, and to tell you the truth I don't Regarding the capo thing - I never figured that out, so I gave up on using Usually curbs their constant change requests.

Meanwhile, as much as you're loathe to, I'd just print the Amplesound guitar parts as audio.if you're client wants changes, make a note and do the changes and re-record.

#Ample sound guitar t update#

When Amplesound says they're updating something, that means they reallyДЄre, and I wouldn't be surprised to see an update to the electrics withinДЄ month. When you get a chance, I would appreciate it if you try it some time and tell me what I'm doing wrong. As an example, you can't even play 'Brown Eyed Girl' in the original key of G and have it work.

#Ample sound guitar t trial#

You have to use this thing called 'capoman' to change hand positions and it's completely trial and error. By the way, another thing that bothers me about the electric guitars is the screwy way they decide what chords or intervals are playable. Not exactly what I call quality service, but we'll see. Sorry, there are some difference between acoustic guitars and electric guitars. After a quick reply asking me if I had the latest versions (I must admit to getting tired of being asked that) I got this one sentence reply: I did leave an email for support at Ample Sound. I recommend sending a tech support email to Amplesound. Perhaps I need more RAM, or perhaps there is something else I am missing.

#Ample sound guitar t professional#

But it still is inexcusable for professional instruments.ДЄnyway, if you have a chance to test it on your rig sometime, I would really appreciate your findings. Granted this project (a rock version of the Rite of Spring with 4 guitar parts, if you can believe it) uses almost 4 gigs of samples alone, and so that may be part of the problem. and it doesn't only happen in a dense section, it can even be solo.

I can't explain this, but it is reproduceable and can be heard, especially on any rhythmic guitar parts. I have noticed that when raising beyond 512, the Ample instruments, at least the Les Paul in particular, do not exactly stay in time.

This means sometimes raising the buffer beyond 256, which is my usual for setting for playing and editing. I generally like to simply bounce everything to disk all at once for a final mix. It means every little change asked for by a client has to be reprinted. However, I'm not really happy with having to print the VI before I mix. I bought the Ample guitars partly based on your recommendation on this forum, and the sound is great. Yes I have the latest versions, released in September I believe. But Real Strat always works fine with no problems, so I keep on using it. I will say these guitar libraries sound very much, better generally than Real Strat, which I also used. Even saving involved the beachball for 5-10 secondsДЄny insights or experiences anyone has with this would be welcome. In DP 8 it loaded without crashing, if very slowly, but it slowed down everything. Here, with this particularly dense project, I found it would consistently crash DP when loading anything more than about 2 gigs worth of samples, so I had to stop using it. I had a number of crashes in DP 8.o4, so I wondered if it for some reason it worked better in DP 7.24. The Telematic guitar, at least when used in UVI Workstation, seems to be particularly drag on the CPU. I have especially noticed this at 2048 buffer with quantized guitar parts.Дў. I am reasonably sure that the Ample Guitars, when played back in DP at a buffer greater than 512, can actually play unevenly in time. I have noticed an number of problems, and wonder if anyone else has too.ДЎ. I have been doing a very complicated and dense project involving the Ample Les Paul and Fender guitars and the Telematic Telecaster.